Music Education

What age should I enroll my child in music classes?

This seems to be a question many parents are asking these days due to all of the options out there for enrolling children in instructional classes. There are a couple of ways to approach this matter.

  • If you wish to place your child in a class where they will learn one instrument such as the piano, the violin, the ukulele or the recorder, they will no doubt need to be able to sit and concentrate for a period of 15 to 20 minutes at least in order to learn the basics and technique for that instrument. This can often happen at the age of 4 or 5 years depending on the child’s interest in the instrument along with the teachers’ ability to make classes fun for the kids.
  • If you have the option in your area to enroll your child in a music and movement class where they are learning basic musical concepts such as keeping the beat, tempo, dynamics and pitch recognition, they may begin much earlier, as young as 18 months as the songs and games are simple and relatively short. Even babies from birth to 18 months are welcome in the class if they have an older sibling participating. The idea in these classes is to include everyone, even the youngest who, if they are too young to hold an instrument or play the games, may simply enjoy the music for its own sake, feeling its pulse, experiencing the music’s timbre, dynamics and so on.

Music is a language like any other and if children are exposed to it from birth they will learn it the same way they learn their native tongue.  They will soak it up like the little sponges they are and it will become a great creative outlet during their adolescent and adult lives.

Maria

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Groundhog Day!

Yesterday, at one of my daycares, my four-year-old class came running in, clearly excited about something. They all began grabbing me, pulling my face down to theirs. Clearly thinking they wanted a kiss I turned my face to the side for a kiss on the cheek. They kept turning my face back to theirs until I realized what they were getting at, rubbing noses! I said “Oh, an Eskimo kiss”, as my Dad used to say, to which they replied emphatically, “No! A groundhog kiss”. The teacher of that particular class is quite imaginative and has passed this imaginative quality onto the kids.

Here is a song for the preparation of groundhog day that I found on a preschool education site:

(Sung to the tune of London Bridge)

Mr. Groundhog down below,
Pops up through the fluffy snow,
See his shadow, watch him go,
Winter’s here to stay, oh no!

Mr. Groundhog down below,
Pops up through the fluffy snow,
There’s no shadow, come and play,
Spring is on its way, hurray!!!

I’m going to get my kids to draw pictures of groundhogs which I will post on my blog before February 2nd.

Happy Groundhog Day!

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Rhythm Baseball

Here’s a great game you can use with children which will help with their rhythmic skills while enjoying a great game of baseball. The game is suitable for kids from pre-K to Grade 6 as the rhythms can be as simple or complicated as the child’s level of playing.

Pick two teams. The first player goes to home base holding their drum. The teacher/umpire plays a rhythm. It may either be invented by yourself or taken from the Copy Cat Rhythm Game on this Rhythm Playground CD in the World Music and Rhythm Talk series. The child repeats the rhythm as heard. If they hit the rhythm correctly, they get to run to first base. The rest of the game is played like a regular baseball game. The kids love it!

I usually try, if necessary, to help the little ones get their rhythm right so the game ends up as a tie. In one game though, a few of the children on one of the teams were afraid to get up allowing the other team to win by a couple of points. This caused a big problem with one of the boys on the losing team. We’ll call him Billy. One of the kids said to me “Billy’s crying” to which I replied “Why, what’s up?”. “Because he lost the game” they said sadly. I then gave a bit of an explanation to the class about winning and losing, and as long as they had fun it was a good game. As I attempted to move on, the kids said “He’s not stopping”. I called Billy over to sit on my lap. He was indeed sobbing and could not stop. I explained about winning and losing in a different way by telling him a true story about my granddaughter Xara. She was having a race with her older brother and, sadly for her, lost the race. “And what do you think she did?”, I asked. She screamed at the top of her lungs, only taking in breath to let out another piercing scream. I then gave an example of her noise, trying not to hurt the kids’ ears. This lightened everyone up considerably including Billy who at least giggled a bit through his tears. “So how old do you think she was?”, I asked. Silence. “She was only 3 years old. How old are you Billy?” to which he replied proudly, “I’m four”. Case closed! Four-year-olds wouldn’t be caught dead doing something as childish as a 3-year-old. The teacher and I then staged a couple a races across the gym, one of which Billy won. We also explained that we could only play these fun games unless they understood that there was always a possibility that someone could lose, unless there is a tie of course.

Enjoy!

You may also listen to the audio version of the rules of rhythm baseball: Rhythm Baseball [Audio]

Teachers, if you are interested in World Music and Rhythm Talk, you will find details here.

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Call and Response songs

I find that call and response songs are a great way to teach children about the music, dance and drumming of countries like Africa. It is like the 3 Rs: rhythm, recitation and repetition.  They love all of the aspects of the call and response style and I find them singing it long after we have completed the activity as I believe it speaks to our most primitive self.  Through call and response, you can increase children’s vocabulary by linking together the small words they know, making bigger ones. This connecting of familiar linguistic patterns to make new ones is a great tool in vocabulary growth. Some examples of big words are: population, mediterranean, information.

Let’s look at the word “population”. All kids know the word pop, you, lay and maybe shun.  Our call and response could be done this way.

Call – Pop

Response – Pop

Call – You

Response – You

Call – Pop You

Response – Pop You

Call – Lay

Response – Lay

Call – Shun

Response – Shun

Call – Lay Shun

Response – Lay Shun

Call – Population

Response – Population

Lots of words can be broken down this way for fun learning for the children.

You’ll find, on my website, a video of a West African call and response song I did with the daycare kids. It is called Toom-bah-ee-lero and features the Djembe drum with children doing their own creative dance and others playing drums.

Until next time!

Let the music move you.

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Music and brain development

In November 2009, I came across an article on music and the brain and how music can affect a child’s brain in a very positive way. This article was written by Pam Burton and I’ve included an excerpt of it in the November ‘09 issue of my newsletter. This article drew a lot of interest from our readers so I decided to also post it here on my blog to share with everyone. Remember that this is only an excerpt of the original article which you can find here.

1. Brain development is reliant upon interplay between genes and environment. There is no longer the debate whether our learning is more dependant on nature or nurture. Research indicates that nature lays down a complex system of brain circuitry, but how that circuitry is wired is dependant on external forces such as nutrition, surroundings and stimulation

2. Early experiences contribute significantly to the structure of the brain and its capacities. The quality, quantity and consistency of stimulation will determine how nerve fibres within the brain (synapses) develop and function. This is true for both cognitive (gaining of knowledge and perception) and emotional development (the learning about different feelings, social behaviour and appropriate emotional response), and the effect is life-long.

3. Early interactions, how we relate and respond, directly affect how the brain is “wired”. Children learn in the context of important relationships. Brain cell connections are established as the growing child experiences the surrounding world and forms attachments to parents, family members, and caregivers. Warm, responsive care appears to have a protective biological function, helping the child weather ordinary stresses and prepare for the adverse effects of later stress or trauma. Non-responsive care, absence of care, drug abuse, and trauma can all have an adverse effect on the child’s emotional well – being.

4. Brain development is not a step-by-step process; it is more like a spiral with waves or windows of opportunity. Learning continues across the life cycle; however, there are windows of opportunity during which the brain is particularly efficient at specific types of learning. Certain critical periods are conducive to developing specific skills. For example, children are most receptive to second language learning from birth to ten. Children are particularly in tune with music between the ages of three and ten.

Researchers have determined that some memories do exist physically in the brain. When behaviours are repeated numerous times the brain forms a physical manifestation of behaviour called biological substrate. If there is behaviour we want to see automatic in young children, repetition is the key.

1. The optimal ages for musical instruction are between the ages of three and ten. There are few examples of professional musicians who begin studying music later in life. As an added benefit, researchers believe music affects spatial temporal reasoning (the ability to see part/whole relationships). Children who begin piano lessons at the age of three and four score higher on this reasoning skill than their peers who did not receive musical instruction.

2. Emotions boost memory. When emotions are engaged, the brain is activated. Emotions create a release of chemicals that act as a memory fixative. We all remember our lowest lows and our highest highs. Engage emotions; get children involved and excited.

This article speaks to us about our brain in a logical and fundamental manner. It reminds us of things we have known but may have pushed into the background due to our everyday busy lives.

One thing is certain, music speaks to our children’s joyous collective soul, their inquiring mind, and their body using its unique blend of movement, rhythm, melody, harmony and timbre. They soak it up like a sponge and retain the concepts with repetition.

Maria

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